At 75, Kenyan-born British ceramicist Magdalene Odundo is enjoying a powerful creative and market resurgence, driven by renewed global interest in contemporary ceramics.
Drawing on decades of study across ancient civilizations, African traditions, and philosophy, Odundo treats clay as both a spiritual conduit and an intellectual pursuit. Her distinctive, burnished vessels—often echoing the human form—have long been prized by major museums, but recent auction results signal growing commercial recognition.
A record-breaking sale in 2024 and her debut exhibition at Xavier Hufkens in Brussels underscore her rising profile. Rooted in timeless techniques yet open to experimentation, Odundo’s work bridges cultures, histories, and disciplines, proving that artistic momentum need not fade with age.
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